The Uluru Statement From the Heart was delivered by more than 250 Aboriginal and Torres Strait islander delegates gathered at Uluru in 2017. After centuries of struggle for recognition and justice the statement calls for the establishment of a “First Nations Voice” enshrined in the Australian constitution and the establishment of a “Makarrata Commission” to supervise agreement-making and truth telling between governments and Aboriginal and Torres Straits islander peoples.
The Makaratta Project is the new album from the Australian band Midnight Oil, probably best known for two rock classics released around 30 years ago: Diesel and Dust and Blue Sky Mining. It contains their first new music released in nearly 20 years and extensively features First Nations artists.
Stream of consciousness words written on the Indian Pacific travelling across the Nullarbor Plain in Australia whilst having the jazz classic Bitches Brew by Miles Davis on heavy rotation, along with his other works Big Fun, Live Evil & On the Corner. The journey began in Perth, Western Australia taking in stops at Kalgoorlie and Cook along the way before arriving two days later in Adelaide, South Australia.
Guess Nullarbor Song has in mind the original inhabitants of the land of Australia, those peoples who had lived there for over 60,000 years and seamlessly blended in with its foreboding environment, who knew its dangers and wonders intimately. Made it a sacred landscape. Sure it also touches upon the activities of those people who have been in command of things for just over the last 200 years – the white man – but it most certainly does not seek to elevate their relentless exploitation of Australia’s natural resources, something which has been undertaken with unceasing greed and vigour. No, Nullarbor Song is not for them; let them stay in their mansions, let them fly above us in the private planes and corporate jets, let them sail around the continent in their luxury yachts and eventually at the end of their lives let them go far, far away from us.
land of the empty bowls on a curve side track unknown hills of the once holy days of the graze how did this land ever get to be? ancient perplexity perplexity of the ancients in the settin’ sun sandy soil multi-coloured earth foil bush scrub blue in a church less land no religion no junk